And so we have a choice. We can join the gang of radicals now running rampant in our country. We can keep our mouths shut, close our eyes, and pretend as if nothing is wrong. Or we can fight back against the madness, knowing full well that, like Thomas More, we may well lose the war.
https://www.chroniclesmagazine.org/blog/courage-in-the-face-of-tyranny/
By Jeff Minick
A Man For All Seasons is a film for our time.
In this classic period drama, Sir Thomas More (Paul Scofield), a brilliant writer and intellectual and former Lord Chancellor of England, refuses to approve Henry VIII’s marriage to Anne Boleyn, rejects his decision to break with Rome, and recognize the king as the Supreme Head of the Church of England. Though he seeks refuge in English law, More is eventually imprisoned, tried for treason, and executed.
What the movie doesn’t show are the events that occurred in the years following More’s death: the dissolution of the monasteries, with the monarch selling off monastic lands and buildings; alterations to the liturgy; demands that bishops and priests renounce their allegiance to Rome and join the English church; and the various rebellions against these policies which followed. A century later, these upheavals culminated in a bloody civil war.
In other words, England’s Catholic culture and the Catholic Church in England underwent what we today would call “cancel culture,” and more than a few hardy souls like Thomas More who were standing in the way found themselves imprisoned or executed.
More was a man of conscience who could not approve a proposition he knew to be false. He saw through Henry’s machinations, his lust, and his desire for a son in divorcing his first wife and marrying Anne, and More refused to accept the king’s wishes as a valid premise for cutting ties with Rome. He also understood the dire consequences for repudiating the king’s demands.
In a scene where More is discussing his ordeal with his friend the Duke of Norfolk (Nigel Davenport), More gives us the central reason for this refusal.The Duke of Norfolk: Oh, confound all this. I’m not a scholar, I don’t know whether the marriage was lawful or not, but d—–, Thomas, look at these names! Why don’t you do as I did and come with us, for fellowship?More: And when we die, and you are sent to heaven for doing your conscience, and I am sent to hell for not doing mine, will you come with me, for fellowship?
Others who love More and want him to live—his wife, his beloved daughter, a son-in-law, and friends—also pressure him to give way and obey the king, but More’s moral compass prevents him from doing so. At the end of his trial, a procedure foreshadowing the show trials of 20th century communists, More further explains himself: “I am the king’s true subject, and I pray for him and all the realm. I do none harm, I say none harm, I think none harm. And if this be not enough to keep a man alive, then in good faith I long not to live.”
Today some demand, as did Henry and his government ministers, that we go along with their attempts to tear down a culture beloved and dear to many of us. If we condone this demolition, we will, like the Duke of Norfolk, be welcomed into the ranks of the cancel culture crew for “fellowship.” If we refuse to join them, if we instead fight back against this destruction, we will be executed, not like Thomas More by ax and chopping block, but by our digital gallows and guillotines, by doxxing, by being banned from social media, and by being deplatformed, as has happened to Intellectual Takeout and other outfits.
And so we have a choice. We can join the gang of radicals now running rampant in our country. We can keep our mouths shut, close our eyes, and pretend as if nothing is wrong. Or we can fight back against the madness, knowing full well that, like Thomas More, we may well lose the war.
In his conflict with King Henry VIII, Thomas More believed that he had one unbeatable ally: God. Many of us today also believe in that Higher Power. Other Americans may not cast their eyes heavenward, yet they may still take comfort and courage from our Bill of Rights and natural law, for these are rights granted by no government but guaranteed to us by dint of our humanity.
In laying out his case to his daughter Margaret (Susannah York), More argues for using the law as a weapon in his defense, but adds these words: “If He (God) suffers us to come to such a case that there is no escaping, then we may stand to our tackle as best we can, and yes, Meg, then we can clamor like champions, if we have the spittle for it.”
What about those of us living through these crazy times? If we come to the place where there “is no escaping,” how will we react? Will we have the backbone and the courage, as did Thomas More, to resist falsehood and oppression?
Jeff Minick lives in Front Royal, Virginia, and may be found online at jeffminick.com. He is the author of two novels, Amanda Bell and Dust on Their Wings, and two works of non-fiction, Learning as I Go and Movies Make the Man.
Be seeing you
Cancel Culture Will Decimate Us…If We Let It – LewRockwell
Posted by M. C. on July 10, 2020
Consider that such “conservatives” as US Senators James Lankford (R-Oklahoma) and Ron Johnson (R-Wisconsin) now propose replacing Columbus Day as a national holiday with Juneteenth to celebrate the manumission of the last slaves in 1865. Tell me, please, what is the difference between these pusillanimous fake conservatives and those “woke” social justice warriors out in the streets who actually pull down monuments to Christopher Columbus? At least the rioters are honest about their designs.
https://www.lewrockwell.com/2020/07/no_author/cancel-culture-will-decimate-usif-we-let-it/
By Boyd D. Cathey
Often as I work at my computer I keep on the Sirius FM Classical Music Service, “Symphony Hall,” with an occasional switch-over to a Bluegrass channel. Both, I believe, reflect at their finest superior elements of our Western cultural tradition with deep popular roots in our civilization, in the songs and compositions of people—our ancestors—which are inspired by their faith, their heroes, their tragedies and triumphs, events in their cumulative history.
Sometimes at night I try to catch a classic film on Turner Classic Movies (TCM) or on my preferred Encore Westerns Channel. Not so much on Encore Westerns, at least not yet, but TCM has begun bracketing certain politically-incorrect classics with “woke” commentary, usually by black and/or gay film critics. Some films, once shown on network television, will probably never see the light of day again. They are far too reactionary, mired in a time long ago, unable to be salvaged even by the most superficially talented social justice progressive movie maven.
Over recent years, certainly since the end of World War II and more aggressively since the momentous civil rights years of the 1960s, there has been a progressive and widespread effort to both “deconstruct” our cultural tradition and alter its expression, with a specific emphasis on the influence of women and minorities who, we are told, have been underrepresented. There is nothing intrinsically wrong with that. Of course, women and minorities, especially racial minorities, have played a distinctive and important role in our artistic heritage and traditions. And there have been some significant and worthy contributions made by them. But always to be understood in perspective and in the context of two millennia of Western culture, with its roots in, to quote the late philosopher Eric Voegelin, “Jerusalem, Athens, and Rome,” and the predominate role of notable men who were uniformly white.
But increasingly cultural elites in literature, music, art, and film have attempted to treat the essential characteristics and aspects of our culture, those emanations and glories of our heritage by radically re-interpreting them, recasting them completely, and they have done so by excluding, even censoring or banning certain works long held to be of great value and grandeur. Indeed, a long festering anti-Western and anti-Christian animus, always present but for decades percolating just beneath the surface, now aims to reign supreme and totally dominate. Woe to anyone who would oppose it; to do so means you are a “racist” and partake of “white supremacy.” And once that death knell is sounded, once that fatal sentence is pronounced by some poorly educated “woke” lunatic on Twitter or in some corporate board room, well, there is nothing to do but subserviently crawl on all fours, beg forgiveness for everything your ancestors may have done, essentially for being white.
Especially since the death of George Floyd, a drug addict and convicted felon now apparently up for sainthood (by both Democrats AND too many Republicans), the madness we’ve witnessed in the actions of our political class now is also translated with a renewed vigour into the arts, into education, into religion, into sports, into practically everything that makes life interesting, varied and rewarding.
Ominously, the goal lines are advancing rapidly in all of those areas, as we see each day recounted by brain-dead Marxist apparatchiks on television. Outright censorship and banning are becoming the rule…and it seems that those who should be stoutly opposing them are giving in readily to the lunacy. Read the rest of this entry »
Posted in Uncategorized | Tagged: cancel culture, cultural tradition, Juneteenth, Marxist, woke commentary | Leave a Comment »